Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the base for her Fog Linen Trays (2008), which is then coated in durable and dishwasher-safe melamine plastic. The coating allows the texture of the linen to come through, while providing a clean platform for serving snacks and appetizers. With basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs.

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Napkin (1999), which gets softer with age and becomes even more absorbent with each washing. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and table cloth. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time).

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Coaster (2007), which gets softer with age and becomes even more absorbent with each washing. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time).

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Table Cloth (1999), which gets softer with age and becomes even more absorbent with each washing. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and table cloth. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time).

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Table Cloth (1999), which gets softer with age and becomes even more absorbent with each washing. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and table cloth. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time).

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Full Apron (1999), which gets softer with age and becomes even more absorbent with each washing. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time).

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Garcon Apron (1999), which gets softer with age and becomes even more absorbent with each washing. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time).

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Café Apron (1999), which gets softer with age and becomes even more absorbent with each washing. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time).

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Waffle Towels (2002), which get softer with age and become even more absorbent with each washing. To create this product, Sekine brought an example of a waffle towel in cotton to her sewers in Lithuania. Through various experiments, they were able to successfully create the waffle texture Sekine desired in linen. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time).

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Waffle Towels (2002), which get softer with age and become even more absorbent with each washing. To create this product, Sekine brought an example of a waffle towel in cotton to her sewers in Lithuania. Through various experiments, they were able to successfully create the waffle texture Sekine desired in linen. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time).

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Waffle Towels (2002), which get softer with age and become even more absorbent with each washing. To create this product, Sekine brought an example of a waffle towel in cotton to her sewers in Lithuania. Through various experiments, they were able to successfully create the waffle texture Sekine desired in linen. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time).

Japanese designer Yumiko Sekine uses leather or raw linen from Lithuania to create her Pot Holders (1999). With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs.

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Cutlery Case (1999), which gets softer with age and becomes even more absorbent with each washing. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time) and many items serve dual purposes, such as the Cutlery Case, that can be used as a napkin when at a picnic.

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Kitchen Cloth (1999), which gets softer with age and becomes even more absorbent with each washing. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time).

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Pot Cover (1999), which gets softer with age and becomes even more absorbent with each washing. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time). In Sekine’s experience, this Pot Cover keeps her teapot warm for 30 minutes. Results will vary, depending on type of pot and the amount of water inside.

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Plastic Bag Holder (2000), which gets softer with age and becomes even more absorbent with each washing. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time).

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the Fog Linen Place Mat (1999), which gets softer with age and becomes even more absorbent with each washing. With neatly squared corners and basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs. The name and size of each item is stamped directly on the product (this stamp washes away over time).

Japanese designer Yumiko Sekine uses raw linen from Lithuania to create the base for her Fog Linen Trays (2008), which is then coated in durable and dishwasher-safe melamine plastic. The coating allows the texture of the linen to come through, while providing a clean platform for serving snacks and appetizers. With basic, functional shapes, there’s an honest simplicity to Sekine’s work, which is also reflected in how the Fog Linen Collection began. When Sekine had her first small apartment, she decided to make herself a few things, like an apron and a cover for her teapot. When she moved to a larger apartment, she needed a few more things, like a kitchen cloth and pot holder. Basically, every time Sekine moved to a larger space, her Fog Linen Collection grew, adapting to fit her household needs.