Item No. 468985

New options

Knoll®

Bertoia Bird Lounge Chair

$4,644.00

Item No. 468985

New options

Knoll®

Bertoia Bird Lounge Chair

$4,644.00

Hourglass

Air

Caviar

Flame

Indigo

Iron

Latte

Mocha

Sandbar

Spring

Sunshine

Ultrasuede

Cement

Charcoal

Citron

Midnight

Moss

Silver

Tomato

Wood

Knoll Boucle

Chartreuse

Neutral

Pearl

Prestini

Black / White

Green / White

Yellow / White

Copper / White

Beige / White

Purple / White

Wine / White

Royal / White

Gray / White

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Black

Polished Chrome

White

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One of the most iconic contributions to modern furniture design.
Made in Italy.

40¼" H 38½" W 33" D

Detailed Dimensions

Shipping Options

Threshold Delivery, In-Home Delivery

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5-year warranty (terms and conditions may vary)

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Details

The airy seats of the Bertoia Seating Collection (1952) have a delicate, filigreed construction and a relaxed sit. Sculpted out of supremely strong steel rods, the collection was an extension of Harry Bertoia's work in sculpture and remains one of the most iconic contributions to modern furniture design. This is the authentic Bertoia Bird Chair produced by Knoll. A sign of authenticity, the Knoll logo is stamped into its base. Made in Italy.

One of the most iconic contributions to modern furniture design.
A pleasure to look at, this sculptural form is also very comfortable.
Made in Italy.

Brand: Knoll®

Collection: Bertoia Collection

General Dimensions

40¼" H 38½" W 33" D

Product Weight: 21 lbs

Assembly: Comes fully assembled

Warranty: 5-year warranty (terms and conditions may vary)

Item No.: 468985

Bertoia Bird Lounge Chair

Height (in): 40¼
Width (in): 38½
Depth (in): 33
Weight (lbs): 21
Seat Height (in): 14½

Welded steel rods
Polished chrome finish
Foam seat pad with Bouclé (Nylon 48%, Wool 52%) fabric
Plastic floor glides
Cover attaches directly to the frame with hidden mono-filament and metal hooks
Notification of Filling Contents

Harry Bertoia

Italian artist and furniture designer Harry Bertoia designed the patented Diamond Chair for Knoll in 1952. It was strong yet delicate in appearance, as well as an immediate commercial success. His career began in the 1930s as a student at the Cranbrook Academy of Art, where he re-established the metalworking studio and, as head of that department, taught from 1939 until 1943.