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Aeron® Chair - Lumbar Support
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Aeron® Chair - Lumbar Support
Bill Stumpf and Don Chadwick, two award-winning industrial designers, created the Aeron® Chair (1994), earning themselves a place in what amounts to the designers' hall of fame - the design collection of New York's MoMA. The Aeron is the apotheosis of ergonomic seating, conceived to conform not only to different human shapes and weights but also to movement. The breakthrough Kinemat® tilt enables the Aeron to smoothly move with the sitter from a forward tilt (when you reach for the phone) to a backward recline (while you contemplate what to say). The Pellicle web upholstery is yet another innovation both in concept and comfort. It evenly distributes weight over the seat and back and permits air circulation. As for durability, it will look like new long after you retire. Design doesn't get more civilized. The Aeron is made from 66% recycled materials. Assembly required. This original is an authentic, fully licensed product of Herman Miller, Inc.
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1811
Aeron® Chair - Lumbar Support
$849.00
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Then, Select a color
Measurements:
Size A: H 41" max. W 26" Seat H 14.5"-19.5"
Size B: H 42" max. W 27" D 27" Seat H 15-21"
Size C: 45" max. W 28.5" Seat H 16-21"
Materials:
Pellicle fabric seat and adjustable back; die-cast aluminum arms, frame and base with black or titanium finish.
Ships via Standard Service. View delivery options
.
Multiple adjustment points provide a custom fit.
Fully ergonomic task chair.
This is a fully licensed classic.
Eco-Stats
Greenguard certified
,
LEED Credits
Assembly Instructions
Don Chadwick
Chairs are for sitting on. It sounds obvious, but there are designers who seem to miss that point. Not Don Chadwick, however, who has developed some of the best chairs on the market, including the Aeron chair whose loyal users wouldn't sit in anything else. Chadwick's chair design emphasizes the body--and the fact that bodies move.
Chadwick calls his hands-on studio in Santa Monica an "experimental lab," one that contains the workman's apparatus of saws, grinders...
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Bill Stumpf
What does jazz have to do with design? Everything, according to Bill Stumpf, who once said that he liked to collaborate with other designers the way a jazz trio improvises, playing together with no fixed destination. The approach requires complete attention, and you have to trust your instincts. Design should make room for spontaneity and discovery, said Stumpf, "blending the pleasure and pain of life into something wonderful."
Stumpf trained at the University of Illinois and then studied environmental design at the University of Wisconsin. Soon after, he was commissioned by Herman Miller to design an office chair...
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Measurements & Materials
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Features
Care and Assembly
Designer
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