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Designers and architects need not be left out of the ergonomic task chair movement: The Aeron Work Stool (2007) is for use in the home studio or anywhere a drafting table or café-height table takes the place of a desk. The Work Stool conforms not only to different body types but also to movement and the gravity of the sitter whose feet aren't planted on the floor. A waterfall edge, where the back of the knee meets the edge of the seat, reduces pressure under the thigh so circulation isn't restricted. The height-adjustable Fine Tune™ foot ring eliminates further pressure, this time off the back, to ensure comfort during extended sitting. The Pellicle® web upholstery evenly distributes weight over the seat and back and permits air circulation. The breakthrough Kinemat tilt enables the Aeron to smoothly move with the sitter from a forward tilt (when you reach for the phone) to a backward recline (while you contemplate what to say). As durable as its abbreviated counterpart, the Work Stool will look and perform like new long after you retire. Made from 66% recycled materials, this original is an authentic, fully licensed product of Herman Miller, Inc.


12486 |
Aeron® Work Stool - PostureFit |
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$1,149.00 - $1,175.00
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Measurements:
H 52.5" max. W 27" Seat H 24.5"-29"
Materials:
Pellicle fabric seat and adjustable back; die-cast aluminum arms, frame and base with graphite finish.
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 | Don Chadwick Chairs are for sitting on. It sounds obvious, but there are designers who seem to miss that point. Not Don Chadwick, however, who has developed some of the best chairs on the market, including the Aeron chair whose loyal users wouldn't sit in anything else. Chadwick's chair design emphasizes the body–and the fact that bodies move.
Chadwick calls his hands-on studio in Santa Monica an "experimental lab," one that contains the workman's apparatus of saws, grinders, lathes... Read more > |
Bill Stumpf What does jazz have to do with design? Everything, according to Bill Stumpf, who once said that he liked to collaborate with other designers the way a jazz trio improvises, playing together with no fixed destination. The approach requires complete attention, and you have to trust your instincts. Design should make room for spontaneity and discovery, said Stumpf, "blending the pleasure and pain of life into something wonderful."
Stumpf trained at the University of Illinois and then studied environmental design at the University of Wisconsin. Soon after, he was commissioned by Herman Miller to design an office chair to be sold alongside... Read more > |


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