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Noguchi® Table
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Noguchi® Table
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Designed by Isamu Noguchi for Herman Miller®
Following his apprenticeship with the legendary Constantin Brancusi, sculptor Isamu Noguchi began to experiment in environmental design, theatrical sets and later, product design. Noguchi created his first furniture prototypes for Herman Miller® in 1942 and went on to work with companies such as Steuben and Zenith. The Noguchi® Table (1948) conceals nothing; revealing everything about the nature of simplicity. Two simple, smoothly shaped pieces interlock to form a tripod that supports a .75" thick slab of transparent glass. Practical and beautiful, the Noguchi Table will uphold a variety of objects in a professional reception area or the home. Simple assembly required. This original is an authentic, fully licensed product of Herman Miller, Inc.
Due to the size, weight and packaging of this item, we strongly recommend our White Glove delivery service. Please review our shipping options. During checkout you will select the option that best fits your needs.
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Item#
Product
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0236
Noguchi® Table
$1,399.00 - $1,489.00
USD
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Measurements:
Materials:
Solid wood base in Noguchi black, walnut, natural cherry or white ash; .75" thick glass.
Ships via Standard Service. View delivery options
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Combination of sculptural beauty and practical surface.
This is a fully licensed classic.
Assembly Instructions
Isamu Noguchi
How does one sculpt space? How do objects give form to the surrounding emptiness? This puzzle, posed both by Europeans like Giacometti and Brancusi and the Zen artists of Japan, creates a theme that runs through the work of Isamu Noguchi. It is not one he attempted to solve, but like the Zen master, posed the question in different ways.
One of the great sculptors of the 20th century, Noguchi created "lived spaces" for the theater, interiors gardens and playgrounds. He also sought to bring sculptural qualities to the many objects he designed for common use. As a young man, Noguchi studied medicine at Columbia University, but abandoned medicine to pursue painting and sculpture and in 1927, a Guggenheim fellowship took him to Europe. In Paris, he had the great good fortune to be apprenticed...
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