The concept of "modularity" wasn't in the popular lexicon when Charles and Ray Eames designed their innovative Storage Units (1950) that can be configured to fit a space or need. Suitable for office and residential use, these units were designed as storage and display spaces, with two color schemes. The design resulted from work the Eameses did for a 1949 exhibition at the Detroit Institute of Arts, and the molded plywood and wire supports echo other items designed by the Eameses, such as their wire base tables and chairs. The "multi" color scheme includes birch fronts and a blue side panel. The "natural" color scheme includes birch fronts and a tan side panel. The shelves in both color schemes are black. The nylon glides are easy on floors.
This original is an authentic, fully licensed product of Herman Miller, Inc. Eames is a licensed trademark of Herman Miller.
Zinc-coated steel supports and perforated panels; nylon foot glides; molded shelves; painted hardboard case sides and back panels.
Design is for living. That maxim shaped a widespread shift in design during the 1940s and 1950s. It was a revolution of form, an exciting visual language that signaled a new age and a fresh start and two of its prime movers were Charles and Ray Eames. The Eameses were a husband and wife team whose unique synergy led to a whole new look in furniture. Lean and modern. Sleek, sophisticated and simple. Beautifully functional.
Yet Charles and Ray Eames created more than a "look" with their bent plywood chairs or molded fiberglass seating. They had ideas about making a better world, one in which things were designed to fulfill the practical needs of ordinary people and bring greater simplicity and pleasure to our lives. Read more >