A refreshing variant of the LCW (1946), the Upholstered LCW sports Kvadrat Divina fabric on its front side. Hailed by Time magazine as the Best Design of the 20th Century, this iconic chair began as an experiment in the Eameses’ apartment, where they were molding plywood in what they called the “Kazam! Machine.” The machine pressed thin sheets of wood veneer against a heated membrane that was inflated by a bicycle pump. Humble beginnings for what would become one of the world’s most widely recognized and highly coveted chairs. Low-slung, with an expertly crafted molded seat and back (no bike pumps are used today), this chair cradles you in a comfortable position. Its form relates directly to the human body and holds no secrets as to how it succeeds technically. Rubber shock mounts buffer against jarring movement. This original is an authentic product of Herman Miller, Inc. Eames is a licensed trademark of Herman Miller. Made in U.S.A.
LCW stands for lounge chair with wood legs.
Molded five-ply seat and back; cherry, walnut, white ash or santos palisander wood veneer, ebony-stained ash veneer or red-stained birch veneer; Maharam Divina by Kvadrat (100% wool); eight-ply legs and back brace; rubber shock mounts.
Design is for living. That maxim shaped a widespread shift in design during the 1940s and 1950s. It was a revolution of form, an exciting visual language that signaled a new age and a fresh start and two of its prime movers were Charles and Ray Eames. The Eameses were a husband and wife team whose unique synergy led to a whole new look in furniture. Lean and modern. Sleek, sophisticated and simple. Beautifully functional.
Yet Charles and Ray Eames created more than a "look" with their bent plywood chairs or molded fiberglass seating. They had ideas about making a better world, one in which things were designed to fulfill the practical needs of ordinary people and bring greater simplicity and pleasure to our lives. Read more >