In 1926, the Kispester-Granit factory in Budapest hired Eva Zeisel, who was 20 years old at the time, as a designer. It was only her first job, but the company was so impressed with her initial work that they created a special art department for her. The employees, who normally produced ceramic sinks, all wanted to work with Zeisel as she brought elegant vases, whimsical rhinoceros-shaped ashtrays and beautiful teapots into the product mix. The factory closed her department after just one year, but the experience sparked a brilliant career. Almost 60 years later, Zeisel returned to the factory and designed the Granit Collection (1983). Though widely exhibited, the set – which features her signature fluid, sensuous curves – wasn’t put into production until 2009. DWR worked closely with Zeisel to ensure that Granit adheres to her exacting standards. “I like the way the very thin, hard edges of the plates change into a soft, inviting bellybutton,” she said. “All the pieces together make a very nice family.” The plates and bowls each feature a dimple in the center, and their matte white finish offers a neutral backdrop for culinary delights. This collection is food, microwave and dishwasher safe. Made in China.
Salt Shaker: H 4" Diameter: 3.25" Pepper Shaker: H 4" Diameter: 3.25"
Eva Zeisel was continually intrigued by what she called her "playful search for beauty." A person of delightfully defiant spirit, the designer was just beginning her career when she declared war on the fashionable avant-garde. "I didn't accept the purism of modern design," she said. "In my definition, if it gave beauty to the eye, it was beauty."
Zeisel was born Eva Striker in Budapest in 1906. Her father ran a textile factory and her mother was an outspoken feminist and one of the first women to earn a doctorate at the University of Budapest. It was through her mother's urging that Zeisel switched from studying painting at the Budapest Royal Academy of Fine Arts to pursue the more practical career of ceramist. She apprenticed herself to a potter at a porcelain factory, an unusual path for an educated woman at that time. Zeisel persisted, graduated to journeyman status and became the first woman admitted to the local pottery guild. It was during this time that her work took on the sensuous, flowing and biomorphic forms that would continue throughout her career. Read more >