5 out of 5 Customer Rating
Item No.
690416
Min Table, Small
5 out of 5 Customer Rating
Item No.
690416
Min Table, Small
Frosted Glass
Available to ship in:
- Versatile table with tempered glass top.
- Can be used as a dining table, desk, or creative workspace.
- Comfortably seats four.
- 28¼" H 34½" W 34½" D
Shipping Options
- In-Home Delivery
Return Options
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2-year warranty (terms and conditions may vary)
Designed by Luciano Bertoncini for Design Within Reach
Manufacturer SKU:
Min Table, Small
Min Table, Small
Gallery
Details
In 1972, Luciano Bertoncini’s work was included in Italy: The New Domestic Landscape, a legendary MoMA exhibition that included Ettore Sottsass, Gae Aulenti, Mario Bellini, Joe Colombo and many other groundbreaking designers. The show kicked off Bertoncini’s career, and today he still designs furniture and architectural spaces from his studio in Treviso. The simplicity of his Min Table (2011) – which echoes the clean aesthetic of his Min Bed, a best-seller in our assortment since 2003 – is certain to inspire a creative workspace or elegant dining area. Min has a quiet and unassuming character, with balanced proportions and rounded corners. This small version seats four people. Ships flat; assembly required. Made in Italy.
- Versatile table with tempered glass top.
- Can be used as a dining table, desk, or creative workspace.
- Comfortably seats four.
- Brand
- Design Within Reach
- Collection
- Min Bedroom Collection
- General Dimensions
-
- 28¼" H 34½" W 34½" D
- Assembly
- Requires Assembly
- Warranty
- 2-year warranty (terms and conditions may vary)
- Item No.
- 690416
Min Table, Small
- Height (in): 28¼
- Width (in): 34½
- Depth (in): 34½
- Powder-coated steel frame
- Tempered matte lacquer glass, powder-coated steel (white top), or MDF with walnut veneer tabletop
Luciano Bertoncini
Since 1958, Luciano Bertoncini has been happily helping to create Italy’s design scene. Some say that Bertoncini, a man who eschews the spotlight, hasn’t received due credit for the influence he’s had on contemporary European modernism. But that doesn’t seem to bother him. “Bertoncini is neither envious nor bitter,” says Virginio Briatore in the introduction to Bertoncini’s 1999 retrospective.
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