The Series 7 Chair debuted in 1955 at the H55 exhibition in Sweden, and the appeal of what remains one of the most copied chairs of the modern era is its shape. The chair is ideally suited to the human body, its seatback has a comfortable “give,” and its waterfall seat edge doesn’t press into legs. Arne Jacobsen, who was instilled with a love of materials, shaped the core of Danish design identity when he accommodated three different bends in one piece of plywood, simply by narrowing the chair back. Once painstakingly made by hand, the Series 7 is now produced using automation methods borrowed from the German car industry and monitored by a team that ensures the authentic Series 7 is perfect every time. The stools were added to the collection in 2005. Suitable for contract use. This is the authentic Series 7 Collection by Republic of Fritz Hansen. Made in Denmark.
Choose from nine options of Lacquered Veneer, a glossy finish with no visible wood grain.
Pressure-molded sliced veneer shell with outer layer in lacquered ash veneer; tubular steel frame with polished-chrome finish.
Arne Jacobsen bought a plywood chair designed by Charles Eames and installed it in his own studio, where it inspired one of the most commercially successful chair models in design history. The three-legged Ant chair (1951) sold in millions and is considered a classic today. It consists of two simple elements: tubular steel legs and a springy seat and back formed out of a continuous piece of plywood in a range of vivid colors.
Jacobsen began training as a mason before studying at the Royal Danish Academy of Arts, Copenhagen where he won a silver medal for a chair that was then exhibited at the 1925 Exposition Internationale des Art Decoratifs in Paris. Influenced by Le Corbusier, Gunnar Asplund and Ludwig Mies van der Rohe, Jacobsen embraced a functionalist approach from the outset. He was among the first to introduce modernist ideas to Denmark and create industrial furniture that built upon on its craft-based design heritage. Read more >