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"I want to design furniture that grows up out of the floor," said Verner Panton. "To turn the furniture into something organic. Which never has four legs." Pushing materials to their limits was a passion of this Danish architect and designer, who always approached design challenges in unconventional ways. Panton spent three years developing his System 1-2-3 series (1973), which has been rescued from the Panton Estate archives and brought back into production. The 1-2-3 name originally referred to the fact that there were three ways to get it, from a chair without padding to a deluxe, tufted version. With the relaunch, all of the chairs have the same comfortable padding, and only the upholstery options differ. This cantilevered chair delivers slightly springy, pleasing support and a gentle waterfall edge behind your knees. Each chair comes with a certificate of authenticity, and Panton's signature is stamped into the base. Licensed manufacture by Verpan ApS. Produced under license from the Verner Panton Estate Basel, Switzerland. Made in Denmark.
- Best of Year! The System 1-2-3 Lounge Chair received Interior Design magazine's top honor for 2011.
DWR Exclusive
Brushed aluminum base; form-pressed wood frame; foam padding. FABRIC A: 100% wool. FABRIC B: 95% wool, 5% polyamide. FABRIC C: 90% wool, 10% helanca (Light Blue and Plum) or 70% wool, 30% viscose (Grey).
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Even if Verner Panton's creative output was reduced to the eponymous Panton Chair, his name would still be assured in the pantheon of modern design. With the Panton Chair, the first example of single-formed injection moulded plastic seating, Panton succeeded in creating one of the most daring and famous chair designs of the twentieth century. Born on the island of Funen in Denmark, Panton came to design, like many of his colleagues, via the study of architecture at the Academy of Art in Copenhagen. After graduating, Panton landed an apprenticeship at the office of Arne Jacobsen, assigned to assist the master on the iconic "Ant" Chair. Although deeply influenced by the organic forms of Jacobsen and others typical of 1958. Panton first established himself at the forefront of avant-garde design with furniture based on extravagant, geometric forms and use of strong colors, such as the Cone Chair of 1958. Along with the Panton Chair, which was designed in the early 1960's, but was not put into production until 1967 due to its technical challenges, these designs cemented Verner Panton's reputation as a designer of an original and uncompromising approach. Read more >
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