Material research primarily determines all of Jongerius’ designs. Her vast portfolio includes single pieces exhibited at galleries, mass-produced products sold at retail stores, design of airliner interiors and even the redesign of the North Delegates’ Lounge at the UN Headquarters in New York. Jongerius was just beginning her career when she was approached by Maharam and invited to work on a project for their 100th anniversary. Maharam now produces 29 different Jongerius textiles, many of which are in the permanent collections at the Art Institute Chicago, Cooper Hewitt Smithsonian Design Museum and MoMA. In addition to conceiving textiles for Maharam, Jongerius creates innovative works for clients of her own company, Jongeriuslab, and serves as the design director at Danskina, a Kvadrat Maharam company for which she dreams up rugs. She has a very clear idea of what makes a successful rug: “There are three components that have to make music together: interesting yarns, great construction and the right technique to give the pattern dazzling oxygen.” Her Duotone Rug (2014) is marked by its flat handwoven basket construction, which she calls “the archetype of weaving.” She used distinct hues for the warp and weft; in combination, each one’s intensity is muted. It sports several edge details, including a strip of solid color at one end. Made in India.