Min Table

C$ 2,025.00

1 Color

Frosted Glass

White Powdercoat

Wood

Quantity

In stock and ready to ship

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Elegance achieved with lean, minimal design.
Roomy table space accommodates six to eight chairs.
High-quality powder-coated steel frame.

28.25" H 71" W 34.5" D

Detailed Dimensions

Shipping Options

In-Home Delivery

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DWR honors a one (1) year warranty on all products. Brand-specific warranties may extend to longer periods.

Print Friendly Summary

The minimum — With absolutely no ornamentation, the Min Table shows how beauty reaches towering heights with minimum – or “min” – design.

Details

Quiet and unassuming

In 1972, the work of Luciano Bertoncini was included alongside fellow Italian designers in a landmark exhibition at MoMA, which launched his career. His Min Table (2011) – which echoes the clean aesthetic of his Min Bed, a bestseller of ours since 2003 – is certain to inspire a creative workspace or elegant dining area with its reserved simplicity. Min has a quiet and unassuming character, with balanced proportions and rounded corners. Seats six to eight people. Made in Italy.

Elegance achieved with lean, minimal design.
Roomy table space accommodates six to eight chairs.
High-quality powder-coated steel frame.
Made in Italy.

Family-Friendly Description: Smooth edges and washable surface


General Dimensions	28.25" H 71" W 34.5" D
Product Weight	200 lbs
Assembly	Requires Assembly
Warranty	DWR honors a one (1) year warranty on all products. Brand-specific warranties may extend to longer periods.
Lifestyle	Family friendly

Min Table

Height (in): 28.25
Width (in): 71
Depth (in): 34.5
Weight (lbs): 200

Powder-coated steel frame
Powder-coated steel or frosted tempered glass tabletop

Luciano Bertoncini

Since 1958, Luciano Bertoncini has been happily helping to create Italy’s design scene. Some say that Bertoncini, a man who eschews the spotlight, hasn’t received due credit for the influence he’s had on contemporary European modernism. But that doesn’t seem to bother him. “Bertoncini is neither envious nor bitter,” says Virginio Briatore in the introduction to Bertoncini’s 1999 retrospective.