Item No.
690461
Min Table
C$ 2,025.00
Item No.
690461
Min Table
C$ 2,025.00
Frosted Glass
White Powdercoat
- Elegance achieved with lean, minimal design.
- Roomy table space accommodates six to eight chairs.
- High-quality powder-coated steel frame.
- 28.25" H 71" W 34.5" D
Shipping Options
- In-Home Delivery
Return Options
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2-year warranty (terms and conditions may vary)
Designed by Luciano Bertoncini for Design Within Reach
Min Table
Min Table
C$ 2,025.00
Gallery
The minimum —
With absolutely no ornamentation, the Min Table shows how beauty reaches towering heights with minimum – or “min” – design.
Details
Quiet and unassuming
In 1972, the work of Luciano Bertoncini was included alongside fellow Italian designers in a landmark exhibition at MoMA, which launched his career. His Min Table (2011) – which echoes the clean aesthetic of his Min Bed, a bestseller of ours since 2003 – is certain to inspire a creative workspace or elegant dining area with its reserved simplicity. Min has a quiet and unassuming character, with balanced proportions and rounded corners. Seats six to eight people. Made in Italy.
- Elegance achieved with lean, minimal design.
- Roomy table space accommodates six to eight chairs.
- High-quality powder-coated steel frame.
- Made in Italy.
Family-Friendly Description: Smooth edges and washable surface
- Brand
- Design Within Reach
- General Dimensions
-
- 28.25" H 71" W 34.5" D
- Product Weight
- 200 lbs
- Assembly
- Requires Assembly
- Warranty
- 2-year warranty (terms and conditions may vary)
- Lifestyle
-
- Family friendly
Min Table
- Height (in): 28.25
- Width (in): 71
- Depth (in): 34.5
- Weight (lbs): 200
- Powder-coated steel frame
- Powder-coated steel or frosted tempered glass tabletop
Luciano Bertoncini
Since 1958, Luciano Bertoncini has been happily helping to create Italy’s design scene. Some say that Bertoncini, a man who eschews the spotlight, hasn’t received due credit for the influence he’s had on contemporary European modernism. But that doesn’t seem to bother him. “Bertoncini is neither envious nor bitter,” says Virginio Briatore in the introduction to Bertoncini’s 1999 retrospective.
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