Item No.
100203640
Bertoia Indoor-Outdoor Stacking Molded Shell Chair
C$ 620.00
Item No.
100203640
Bertoia Indoor-Outdoor Stacking Molded Shell Chair
C$ 620.00
Blue
Grey
Red Orange
White
Yellow
Black
White
- Match the seat with the frame or mix them up for a change of pace.
- A comfortable, sculptural form.
- Stacks for easy storage.
- 30.5" H 22" W 21.75" D
Shipping Options
- Ships via FedEx
Return Options
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DWR honors a one (1) year warranty on all products. Brand-specific warranties may extend to longer periods.
Designed by Harry Bertoia for Knoll®
Manufacturer SKU:
Grace, color, and natural flex —
Sculptural form and a flexible, colorful seat make the Bertoia Molded Shell Chair well-suited for leisurely entertaining.
Details
The Bertoia Molded Shell Chair (1960) merges the grace of Harry Bertoia's wire-form design from 1952 with a touch of color and natural flex. Choose a matching color for the molded nylon seat shell and welded steel rod frame or mix it up for a totally unique look. This is the authentic Bertoia Molded Shell Chair by Knoll. A sign of authenticity, the KnollStudio logo is stamped into its base. Suitable for use indoors and out. Stacks for easy storage. Made in Italy.
- Match the seat with the frame or mix them up for a change of pace.
- A comfortable, sculptural form.
- Stacks for easy storage.
- Brand
- Knoll®
- General Dimensions
-
- 30.5" H 22" W 21.75" D
- Box Dimensions
-
- 33" H 22" W 23" D
- Assembly
- Comes fully assembled
- Warranty
-
DWR honors a one (1) year warranty on all products. Brand-specific warranties may extend to longer periods.
Bertoia Stacking Molded Shell Chair
- Height (in): 30.5
- Width (in): 22
- Depth (in): 21.75
- Weight (lbs): 14
- Seat Height (in): 14
- Seat Height Min (in): 18.25
- Molded glass-fiber-reinforced nylon seat shell
- Welded steel rod base with polished chrome or bonded Rilsan® finish
- Plastic floor glides
Harry Bertoia
Italian artist and furniture designer Harry Bertoia designed the patented Diamond Chair for Knoll in 1952. It was strong yet delicate in appearance, as well as an immediate commercial success. His career began in the 1930s as a student at the Cranbrook Academy of Art, where he re-established the metalworking studio and, as head of that department, taught from 1939 until 1943.
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