Overview

Bertoia Stool

C$ 2,495.00
3.6 out of 5 Customer Rating
Item No. 100494681

Bertoia Stool

C$ 2,495.00
3.6 out of 5 Customer Rating
Item No. 100494681
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Manufacturer SKU:
Bertoia Stool
C$ 2,495.00
C$ 2,495.00
Details

Details

Featuring delicate filigreed construction that's supremely strong, the airy seats of the Bertoia Seating Collection (1952) are sculpted out of steel rods and have a relaxed sit. The collection was an experiment with open forms and metal – an extension of Harry Bertoia's work in sculpture – and remains one of the most iconic contributions to modern furniture design. This is the authentic Bertoia Stool produced by Knoll. A sign of authenticity, the Knoll logo is stamped into its base. Made in Italy.
  • One of the most iconic contributions to modern furniture design.
  • Black and white stools are suitable for outdoor use.
  • Chrome stool is not for outdoor use.
  • Optional seat pad secures to seat with metal snaps.
  • Stool made in Italy, seat pad made in U.S.A.
  • Counter Stool overall height is 38.5". If adding to an existing set, you may have the older 41" high models.
Brand
Knoll®
Collection
Bertoia Collection
General Dimensions
  • 43" H 21¾" W 22" D
Product Weight
22 lbs
Assembly
Comes fully assembled
Warranty
5-year warranty
Terms and conditions apply. Learn more
Dimensions
Counter Height

Counter Height

  • Height (in): 38½
  • Width (in): 21¾
  • Depth (in): 22
  • Weight (lbs): 20
  • Seat Height (in): 25
  • Seat Width (in): 21
  • Seat Depth (in): 17¾
Bar Height

Bar Height

  • Height (in): 43
  • Width (in): 21¾
  • Depth (in): 22
  • Weight (lbs): 22
  • Seat Height (in): 29½
  • Seat Width (in): 21
  • Seat Depth (in): 17¾
  • Welded steel rod seat
  • Polished chrome or bonded Rilsan finish
  • Foam seat pad or full seat cover
  • Vinyl, fabric, or leather upholstery
  • Plastic floor glides
  • Notification of Filling Contents

Harry Bertoia

Italian artist and furniture designer Harry Bertoia designed the patented Diamond Chair for Knoll in 1952. It was strong yet delicate in appearance, as well as an immediate commercial success. His career began in the 1930s as a student at the Cranbrook Academy of Art, where he re-established the metalworking studio and, as head of that department, taught from 1939 until 1943.

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