Overview

Bertoia Diamond Lounge Chair, Full Cover

C$ 3,830.00
5 out of 5 Customer Rating
Item No. 100496957

Bertoia Diamond Lounge Chair, Full Cover

C$ 3,830.00
5 out of 5 Customer Rating
Item No. 100496957
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Manufacturer SKU:
Bertoia Diamond Lounge Chair, Full Cover
C$ 3,830.00
C$ 3,830.00
Details

Details

The airy seats of the Bertoia Seating Collection (1952) have a delicate, filigreed construction and a relaxed sit. Sculpted out of supremely strong steel rods, the collection was an extension of Harry Bertoia's work in sculpture and remains one of the most iconic contributions to modern furniture design. This is the authentic Bertoia Diamond Lounge Chair produced by Knoll. A sign of authenticity, the Knoll logo is stamped into its base. Chair made in Italy; seat pad made in U.S.A.
  • One of the most iconic contributions to modern furniture design.
  • Rilsan finish and Chain Link (olefin) seat pad suitable for outdoor use.
  • Chrome and Gold finishes, and Boucle cover, are not suitable for outdoor use.
  • Optional seat pad secures to chair with metal snaps.
  • Chair made in Italy, seat pad made in U.S.A.
Brand
Knoll®
Collection
Bertoia Collection
General Dimensions
  • 30" H 33½" W 28" D
Product Weight
15.5 lbs
Assembly
Comes fully assembled
Warranty
5-year warranty
Terms and conditions apply. Learn more
Dimensions
Bertoia Diamond Lounge Chair

Bertoia Diamond Lounge Chair

  • Height (in): 30
  • Width (in): 33½
  • Depth (in): 28
  • Weight (lbs): 15.5
  • Seat Height (in): 16¼
  • Welded steel rods
  • Bonded Rilsan, polished chrome, or 18K gold-plated finish
  • Foam seat pad with Chain Link (100% solution-dyed olefin) fabric, suitable for outdoor use
  • Full cover with Bouclé (Nylon 48%, Wool 52%) fabric, not suitable for outdoor use
  • Plastic floor glides
  • Notification of Filling Contents

Harry Bertoia

Italian artist and furniture designer Harry Bertoia designed the patented Diamond Chair for Knoll in 1952. It was strong yet delicate in appearance, as well as an immediate commercial success. His career began in the 1930s as a student at the Cranbrook Academy of Art, where he re-established the metalworking studio and, as head of that department, taught from 1939 until 1943.

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