Overview
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Wassily Chair

C$ 5,160.00
4.8 out of 5 Customer Rating
Item No. 100460617
New options

Wassily Chair

C$ 5,160.00
4.8 out of 5 Customer Rating
Item No. 100460617
Canvas View Swatch Details

Canvas -

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Haired Hide

Haired Hide -

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Manufacturer SKU:
Wassily Chair
C$ 5,160.00
C$ 5,160.00
Details

Details

In spirit and stature, Marcel Breuer's Wassily Chair (1925) from Knoll has few equals. Believed to be the first bent tubular steel chair design, the Wassily Chair distills the traditional club chair to a series of strong, spare lines, executed with dynamic material counterpoint. Inspired by the curving handlebars of the Adler bicycle, the Wassily’s chrome-finished tubular steel frame is seamless in its assemblage. The design’s seating surfaces – cowhide leather, belting leather, or canvas slings – maintain their crisp tautness for decades. Named for Wassily Kandinsky, the father of abstract painting and a colleague of Breuer's at the Bauhaus, the Wassily Chair is a symbol of the industrial heroism and engineering invention of the early 20th century. Made in Italy.
  • Stamped with the KnollStudio logo and the designer's signature.
  • The Wassily Chair is a registered trademark of Knoll, Inc.
  • Tubular steel frame in polished chrome or ultra-matte powder-coated finish.
Brand
Knoll®
General Dimensions
  • 28¾" H 31" W 27" D
Product Weight
25 lbs
Assembly
Comes fully assembled
Warranty
5-year warranty
Terms and conditions apply. Learn more
Dimensions
Wassily Chair

Wassily Chair

  • Height (in): 28¾
  • Width (in): 31
  • Depth (in): 27
  • Weight (lbs): 25
  • Seat Height (in): 16½
  • Arm Height (in): 23
  • Tubular steel frame in polished chrome or ultra-matte powder-coated finish
  • 100% natural cotton canvas slings
  • 100% vegetable-tanned, aniline-dyed Spinneybeck® belting leather slings
  • Cowhide leather slings
  • Plastic glides
Marcel Breuer

Marcel Breuer

Sparked by bicycle handlebars, Marcel Breuer’s tubular steel chairs were a daring departure from traditional wood furniture and major icons of the International Style in early 20th Century. “Mass production,” Breuer said, “made me interested in polished metal, in shiny and impeccable lines in space, as new components of our interiors.”

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