3.6 out of 5 Customer Rating
Item No. 100189545
Price reduced from C$ 3,545.00 to C$ 2,481.50 30% off
3.6 out of 5 Customer Rating
Item No. 100189545
Price reduced from C$ 3,545.00 to C$ 2,481.50 30% off
Oak
Walnut
In Stock
  • Unique slatted surface adds depth and texture.
  • Originally designed for Copenhagen’s Sunday-S Contemporary Gallery.
  • 13⅞" H 48¼" W 19¾" D
Detailed Dimensions

Shipping Options

  • Threshold Delivery, In-Home Delivery

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DWR honors a one (1) year warranty on all products. Brand-specific warranties may extend to longer periods.
Manufacturer SKU:
Kam Bench
Price reduced from C$ 3,545.00 to C$ 2,481.50 30% off
Details

Details

Originally designed for Copenhagen’s Sunday-S Contemporary Gallery, the Kam Collection (2021) by Chris Liljenberg Halstrøm is like a work of art. Inspired by traditional Japanese tsuge combs, the solid wood Kam is defined by its unique slatted surface – a detail that adds depth and texture, and appeals to both the eye and the hand. “The space between the slats fits perfectly for running your fingers through, creating a nice haptic experience,” says the designer. Made in Estonia.
  • Unique slatted surface adds depth and texture, and appeals to both the eye and the hand.
  • Originally designed for Copenhagen’s Sunday-S Contemporary Gallery.
  • Can be used as a bench or coffee table.
Brand
Design Within Reach
Collection
Kam Collection
General Dimensions
  • 13⅞" H 48¼" W 19¾" D
Product Weight
81.75 lbs
Assembly
Comes fully assembled
Warranty
DWR honors a one (1) year warranty on all products. Brand-specific warranties may extend to longer periods.
Item No.
100189545

Kam Bench

  • Height (in): 13⅞
  • Width (in): 48¼
  • Depth (in): 19¾
  • Weight (lbs): 81.75
  • Leg Height (in): 10⅞

Chris Liljenberg Halstrøm

For Chris Liljenberg Halstrøm, inspiration comes from observation. “If I want to design objects for real people, I have to know about them,” she explains. Born in Glostrup, Denmark, to a Swedish mother and Danish father, Halstrøm is also naturally influenced by her Nordic roots and combines this background with an interest in the spiritual austerity of Japanese design.

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