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Alvar Aalto

Alvar Aalto

Finland (1898-1976)
Headshot of designer.

An eloquent humanist, as well as one of the great architects and designers of the 20th century, Alvar Aalto breathed life and warmth into modernism, placing emphasis on "organic" geometry; supple, natural materials; and respect for human feeling.

"Architecture," he said, "must have charm; it is a factor of beauty in society. But real beauty is not a conception of form...it is the result of harmony between several intrinsic factors, not the least, the social." Aalto's intention was to create integrated environments to be experienced through all the senses, and to design furniture that would be at once modern, human and specifically Finnish.

Using native birch wood and plywood and his own new bentwood techniques, Aalto created his classic Lounge Chair, the curvilinear Wood Screen designed for the Finnish Pavilion and his iconic stacking stool. These pieces represent his virtuosity with form and structure and firmly established Aalto's genius and fluency with wood - which he described as the "form inspiring, deeply human material." Their natural beauty also made waves among the European avant garde, better known for a high-minded austerity than warmth.

Aalto's work was enthusiastically received in the U.S. and the Museum of Modern Art organized a major exhibition of his work in 1938. A year later, Aalto completed the Finnish Pavilion for the 1939 New York World's Fair. Frank Lloyd Wright, upon viewing the Pavilion, said simply, "Aalto is a genius."

As one of the founding fathers of modern design, Alvar Aalto had a profound influence on Charles and Ray Eames and George Nelson, designers who also combined formal concerns with humanistic ideals. We can thank Aalto not only for bentwood solutions like the L-leg and the Y-leg, but for the preserving the trace of the human hand and spirit in beautiful materials and the simple forms of modernism.

Alvar Aalto

Vitra Miniatures Collection: Aalto Nr. 41 Paimio
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