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Item No. 331531

Glo-Ball Suspension Lamp

Price reduced from $695.00 to $590.75
(0)
Item No. 331531

Glo-Ball Suspension Lamp

Price reduced from $695.00 to $590.75

1 Size
White
Estimated Arrival: Available to ship in: 6 weeks
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  • Hand-blown opaline-glass suspension lamp.
  • Acid-etched diffuser has a slight frosted look.
  • Casts a soft, luminous light.

Shipping Options

  • Ships via FedEx

Return Options

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2-year warranty on LED items, 1-year warranty on others (terms and conditions may vary)
Designed by Jasper Morrison for Flos
Glo-Ball Suspension Lamp
Price reduced from $695.00 to $590.75
Light touch — Evoking a full moon, the Glo-Ball Suspension Lamp proves that a seemingly familiar design can still surprise and delight. The minimal, hand-blown glass fixture emits a warm, welcoming glow, seamlessly fitting into any decor.
Details

Details

Soft glow

Disinterested in novelty, Jasper Morrison prefers to add fresh perspective to common forms. His Glo-Ball Suspension Lamp (1998) does just that, infusing the ubiquitous fixture with a quiet glamor. An acid-etched diffuser made of opaline glass serves as the lamp’s shade; each is hand-blown and casts a soft, luminous light. The fixture suspends from a thin steel wire, creating an illusion of floating. Bulb (included): halogen 100–150W/T10/E26. UL Listed. Made in U.S.A.
  • Hand-blown opaline-glass suspension lamp.
  • Acid-etched diffuser has a slight frosted look.
  • Casts a soft, luminous light.
  • Halogen bulb: 100W/T10/E26 in S1, 150W/T10/E26 in S2.
  • UL-listed.
Brand Flos
General Dimensions
  • S2: 14.2" H
Product Weight 11.02 lbs
Box Dimensions
  • 20.47" H 17.72" W 16.14" D
Assembly Requires Assembly
Warranty 2-year warranty on LED items, 1-year warranty on others (terms and conditions may vary)

S1

  • Weight (lbs): 11.02
  • Cord Length (in): 191.732

S2

  • Height (in): 14.2
  • Weight (lbs): 20
  • Hand-blown, acid-etched opaline-glass diffuser
  • Steel suspension cable
  • Polycarbonate canopy
Jasper Morrison

Jasper Morrison

Jasper Morrison considers himself to be, first and foremost, a conceptual designer. Unconcerned with the novelty of new or unexpected forms, Morrison takes familiar shapes, often banal, and reworks them until a heretofore-unseen work emerges.

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