After refining their molded plastic chairs, Charles and Ray Eames began experimenting with making a chair from welded wire. To succeed, the Eameses had to figure out how to create a design with the strength they needed while keeping manufacturing costs as low as possible. Ultimately, they decided on using lighter-gauge wire doubled over into a rim that sandwiches heavier inner wire to form their Eames Wire Chair (1951), which won them their first American mechanical design patent. Its organic shape and airy silhouette are complemented by what’s commonly referred to as an Eiffel base (because of its trademark shape). This is an authentic Eames product by Herman Miller. Commercial quality. Made in U.S.A.
DKR.0 stands for dining height, wire shell, rod base, no seat pad.
Design is for living. That maxim shaped a widespread shift in design during the 1940s and 1950s. It was a revolution of form, an exciting visual language that signaled a new age and a fresh start and two of its prime movers were Charles and Ray Eames. The Eameses were a husband and wife team whose unique synergy led to a whole new look in furniture. Lean and modern. Sleek, sophisticated and simple. Beautifully functional.
Yet Charles and Ray Eames created more than a "look" with their bent plywood chairs or molded fiberglass seating. They had ideas about making a better world, one in which things were designed to fulfill the practical needs of ordinary people and bring greater simplicity and pleasure to our lives. Read more >