Presenting a very special re-introduction: the Nakashima Straight-Backed
Chair (1946), designed by George Nakashima for Knoll. Nakashima was an
MIT-trained architect who was known to describe himself as “Japanese
Shaker.” This was meant to express his belief that his designs should be
treated as everyday functional objects, not precious possessions. Such
thinking was consistent with the Mingei Movement that influenced Nakashima
and his work. The Movement sought to rescue common crafts that had been
discarded as a result of industrial revolution, like traditional Japanese
joinery and the use of natural materials. What’s remarkable about his work
for Knoll is that Nakashima was able to maintain the sculptural lines and
fine craftsmanship of his Straight-Backed Chair even at the mass production
level. This reconciliation of art and industry, and the contradictions that
accompanied it, continued to fascinate Nakashima throughout his career. His
work has been presented at many exhibitions worldwide, including the
retrospective “Full Circle” at the American Craft Museum in New York. This
chair is manufactured by Knoll. Made in U.S.A.
It is not uncommon to hear of designers who are inspired by the classics and the master designers responsible for them, but George Nakashima was actually inspired by what he considered "bad" architecture and the builders who tried to incorporate too much into their designs.
Although Nakashima held several degrees in architecture (including one from MIT), and employed himself as an architect for a period, he still took time to apprentice in Japanese carpentry during an extended stay overseas. When WWII broke out, Nakashima returned to his U.S. roots and set about reestablishing himself. He took an architectural tour along the Pacific coast and was dismayed by the construction of many celebrated buildings. "They were badly, ignorantly built. The architects were over-specialized and knew nothing about building, like cooks who draw pictures of cakes but cannot make the batter themselves." The extent of his frustration prompted him to take on a design and construction process more in the realm of his control, thus he turned to furniture. Read more >