Item No. 100073623

Bertoia Molded Shell Side Chair

Price reduced from $354.00 to $300.90 15% off
Item No. 100073623

Bertoia Molded Shell Side Chair

Price reduced from $354.00 to $300.90 15% off

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Estimated Arrival: Available to ship in: 8 weeks
  • Match the seat with the frame or mix them up for a change of pace.
  • A comfortable, sculptural form.
  • Made in Italy.
  • 30.5" H 22" W 21.75" D
Detailed Dimensions

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  • In-Home Delivery

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5-year warranty (terms and conditions may vary)
Designed by Harry Bertoia for Knoll®
Manufacturer SKU:
Bertoia Molded Shell Side Chair
Price reduced from $354.00 to $300.90 15% off
Grace, color, and natural flex — Sculptural form and a flexible, colorful seat make the Bertoia Molded Shell Side Chair well suited for leisurely entertaining.
Details

Details

Modern icon with a twist

The Bertoia Molded Shell Side Chair (1960) merges the grace of Harry Bertoia's wire-form design from 1952 with a touch of color and natural flex. Choose a matching color for the molded nylon seat shell and welded steel rod frame or mix it up for a totally unique look. This is the authentic Bertoia Molded Shell Stool by Knoll. A sign of authenticity, the KnollStudio logo is stamped into its base. Made in Italy.
  • Match the seat with the frame or mix them up for a change of pace.
  • A comfortable, sculptural form.
  • Made in Italy.
Brand
Knoll®
General Dimensions
  • 30.5" H 22" W 21.75" D
Product Weight
14 lbs
Box Dimensions
  • 33" H 22" W 23" D
Assembly
Comes fully assembled
Warranty
5-year warranty (terms and conditions may vary)
Bertoia Molded Shell Side Chair

Bertoia Molded Shell Side Chair

  • Height (in): 30.5
  • Width (in): 22
  • Depth (in): 21.75
  • Weight (lbs): 14
  • Seat Height (in): 18.25
  • Welded steel rod base with polished chrome or bonded Rilsan® finish
  • Molded glass-fiber-reinforced nylon seat shell
  • Plastic floor glides

Harry Bertoia

Italian artist and furniture designer Harry Bertoia designed the patented Diamond Chair for Knoll in 1952. It was strong yet delicate in appearance, as well as an immediate commercial success. His career began in the 1930s as a student at the Cranbrook Academy of Art, where he re-established the metalworking studio and, as head of that department, taught from 1939 until 1943.

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