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Item No. 468985

Bertoia Bird Lounge Chair

$3,699.00
(0)
Item No. 468985

Bertoia Bird Lounge Chair

$3,699.00

1 Frame
Chrome
Estimated Arrival: Available to ship in: 7 weeks
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  • One of the most iconic contributions to modern furniture design.
  • Made in Italy.
  • 40.25" H 38.5" W 33" D
Detailed Dimensions

Shipping Options

  • Threshold Delivery, In-Home Delivery

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5-year warranty (terms and conditions may vary)
Designed by Harry Bertoia for Knoll®
Bertoia Bird Lounge Chair
$3,699.00
An uninhibited lounge — Lean back in the sculptural form of the Bertoia Bird Lounge Chair. Its scooped seat and wide armrests - or wings - are made for leisurely lounging.
Details

Details

Big bird

The airy seats of the Bertoia Seating Collection (1952) have a delicate, filigreed construction and a relaxed sit. Sculpted out of supremely strong steel rods, the collection was an extension of Harry Bertoia's work in sculpture and remains one of the most iconic contributions to modern furniture design. This is the authentic Bertoia Bird Chair produced by Knoll. A sign of authenticity, the Knoll logo is stamped into its base. Made in Italy.
  • One of the most iconic contributions to modern furniture design.
  • A pleasure to look at, this sculptural form is also very comfortable.
  • Made in Italy.
Brand Knoll®
General Dimensions
  • 40.25" H 38.5" W 33" D
Product Weight 21 lbs
Box Dimensions
  • 42.25" H 40.5" W 35" D
Assembly Comes fully assembled
Warranty 5-year warranty (terms and conditions may vary)
Bertoia Bird Lounge Chair

Bertoia Bird Lounge Chair

  • Height (in): 40.25
  • Width (in): 38.5
  • Depth (in): 33
  • Weight (lbs): 21
  • Seat Height (in): 14.5
  • Welded steel rods
  • Polished chrome finish
  • Foam seat pad with Bouclé (Nylon 48%, Wool 52%) fabric
  • Plastic floor glides
  • Cover attaches directly to the frame with hidden mono-filament and metal hooks

Harry Bertoia

Italian artist and furniture designer Harry Bertoia designed the patented Diamond Chair for Knoll in 1952. It was strong yet delicate in appearance, as well as an immediate commercial success. His career began in the 1930s as a student at the Cranbrook Academy of Art, where he re-established the metalworking studio and, as head of that department, taught from 1939 until 1943.

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