5 out of 5 Customer Rating
Item No. 100189549

Kam Side Table

Price reduced from $1,295.00 to $906.50 30% off
5 out of 5 Customer Rating
Item No. 100189549

Kam Side Table

Price reduced from $1,295.00 to $906.50 30% off

Oak
In Stock
  • Unique slatted surface adds depth and texture.
  • Originally designed for Copenhagen’s Sunday-S Contemporary Gallery.
  • 17¾" H 20½" W 18" D
Detailed Dimensions

Shipping Options

  • Ships via FedEx

Return Options

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DWR honors a one (1) year warranty on all products. Brand-specific warranties may extend to longer periods.
Manufacturer SKU:
Kam Side Table
Price reduced from $1,295.00 to $906.50 30% off
Details

Details

Originally designed for Copenhagen’s Sunday-S Contemporary Gallery, the Kam Collection (2021) by Chris Liljenberg Halstrøm is like a work of art. Inspired by traditional Japanese tsuge combs, the solid wood Kam is defined by its unique slatted surface – a detail that adds depth and texture, and appeals to both the eye and the hand. “The space between the slats fits perfectly for running your fingers through, creating a nice haptic experience,” says the designer. Made in Estonia.
  • Unique slatted surface adds depth and texture, and appeals to both the eye and the hand.
  • Originally designed for Copenhagen’s Sunday-S Contemporary Gallery.
Brand
Design Within Reach
Collection
Kam Collection
General Dimensions
  • 17¾" H 20½" W 18" D
Product Weight
31 lbs
Assembly
Comes fully assembled
Warranty
DWR honors a one (1) year warranty on all products. Brand-specific warranties may extend to longer periods.

Kam Side Table

  • Height (in): 17¾
  • Width (in): 20½
  • Depth (in): 18
  • Weight (lbs): 31
  • Leg Height (in): 14⅞

Chris Liljenberg Halstrøm

For Chris Liljenberg Halstrøm, inspiration comes from observation. “If I want to design objects for real people, I have to know about them,” she explains. Born in Glostrup, Denmark, to a Swedish mother and Danish father, Halstrøm is also naturally influenced by her Nordic roots and combines this background with an interest in the spiritual austerity of Japanese design.

More on Chris Liljenberg Halstrøm